The Farthest Earth From Thee
Commissioned by VSA arts, The Farthest Earth From Thee is an original work inspired by William Shakespeare’s sonnets. The production features company and guest dancers with and without disabilities. Shakespeare revealed intense, intimate, and moving relationships through his sonnets.  This collection of contemporary dances transforms his words into explosive movement and vibrant video images. More...

Ferocious Beauty: Genome
Ferocious Beauty: Genome investigates the startling realities of how knowledge of the genome will change the way we think about aging, perfection, ancestry, and evolution.  The company developed the piece through collaborations with thirty-four genetic scientists and researchers from leading universities and government agencies across the country.  Partners for the Washington DC premiere include the National Human Genome Research Institute (NHGRI), and Francis S. Collins, M.D., PhD, director of the Human Genome project, will lead a post-performance discussion. More...

Funny Uncles
While the number of blended families, adoption, single parents by choice and gay parenting are all on the rise, the image of family remains as a traditional, nuclear unit. Funny Uncles, conceived and directed by Producing Artistic Director Peter DiMuro, explores the reality of contemporary families through movement, theatre, video and spoken word. More...

Imprints on a Landscape: The Mining Project

Imprints on a Landscape: The Mining Project uses a combination of movement, video, spoken word, audio of interviews and original music to explore the connections between life, work and landscape in coal mining communities. The piece also touches on the role of new and renewable energy technologies in protecting the landscape such as wind and solar power. More...

Liz Lerman's Critical Response Process

Liz Lerman’s Critiical Response Process is a widely-recognized method that nurtures the development of artistic works-in-progress through a four-step, facilitated dialogue between artists, peers, and audiences. More...

Man/Chair Dances

Man/Chair Dances provides a new slant on the partnership between music and dance. As an orchestra performs The Chairman Dances by the renowned contemporary composer John Adams, dancers move on chairs and platforms placed amongst the cellos, trombones, timpini and oboes. More...

Moving Dialogues
Moving Dialogues is a series of conversations that focus on the intersections of the arts with other disciplines. They bring the Dance Exchange together with panelists from varied fields, usually inspired by the company’s current projects and performances. More...

Pas de Dirt

Pas de Dirt is an illustration of the way the Dance Exchange answers its own question, “Who gets to dance?”  Borrowing elements of music and a few pirouettes from Swan Lake, even heavy machinery gets a chance to dance as Producing Artistic Director Peter DiMuro and community members develop choreography for (and with) the equipment. More...

613 Radical Acts of Prayer

Liz Lerman Dance Exchange has a long history of making dances that address questions of faith. In a new suite of dances tentatively titled 613 Radical Acts of Prayer, Liz and collaborators – such as Japan’s Kyoto Contemporary Dance Center – utilize both ancient and contemporary concepts of prayer. More...

Small Dances About Big Ideas
The result of an unprecedented partnership with Harvard Law School and commissioned by the Seevak Fund for The Harvard Law School/Facing History and Ourselves Program, Small Dances About Big Ideas premiered in November, 2005, at "Pursuing Human Dignity: The Legacies of Nuremberg for International Law, Human Rights and Education," an international conference that commemorated the 60th Anniversary of the Nuremberg Trials. More...

DC XIII Improv Festival lives on!

Watch Web-Only Performance Video: "Off Site and In Sight" -- Choreography by Cassie Meador